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Following the death of her estranged father, Iris learns she has inherited a run-down, centuries-old pub. She travels to Berlin to identify her father’s body and meet with The Solicitor to discuss the estate.
Little does she know, when the deed is signed she will become inextricably tied to an unspeakable entity that resides in the pub’s basement – Baghead – a shape-shifting creature that can transform into the dead
The genre is filled with so many tropes that some of them act as a handy shortcut for terror. Gloomy basements, ancient curses, and ways to contact the dead are just a few of these, and they all crop up in Alberto Corredor's Baghead.
There’s plenty in the film that feels creepily familiar.
The problem is the other stuff in the movie — all the things that wrap around those old tropes — aren’t nearly compelling enough.
Instead of using those foundational horror blocks to tell a tense new story, the whole thing just feels stale and unexciting.
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